Etiqueta: re-interpretación

En esta etiqueta se recogen trabajos relacionados con la idea de la «re-interpretación», en la que realizo una nueva versión (similar al concepto de «cover») de una pieza musical pre-existente; muchas veces introduciendo nuevos instrumentos y capas.

  • *i Carles esdevingué piano (2020)

    *i Carles esdevingué piano (2020)

    Premi cultura online #CCSVaCasa 2020 Piano virtual sampleado a partir de fonemas de Carles Santos. Re-interpretación ¡al piano! de Tocatico Tocatá. Documental sobre el proceso: https://icarlesesdevinguepiano.jlmirall.es/?p=56 También puede ser tocada en vivo:

  • *Dream Images v2, Makrokosmos (George Crumb, 1972)

    *Dream Images v2, Makrokosmos (George Crumb, 1972)

    Dream Images from Makrokosmos for piano & electronic (own cover). Live performance in Fundació Caixa Castelló (SPAIN). February 2020 Piano & Electronics: José Luis Miralles Music: George Crumb

  • *The unanswered question (Charles Ives, 1906)

    *The unanswered question (Charles Ives, 1906)

    Piano & electronics cover of orchestral version of The Unanswered question. Piano, Roli Seaboard, Loop Station, Hx Stomp and H9. Live performance in Fundació Caixa Castelló (SPAIN). February 2020 Piano & Electronics: José Luis Miralles Music: Charles Ives

  • *December 52 v2 (Earle Brown, 1952)

    *December 52 v2 (Earle Brown, 1952)

    Second version (now with leds and lights and more!) of my interpretation of December 52. Live performance in Fundació Caixa Castelló (SPAIN). February 2020 Piano & Electronics: José Luis Miralles Graphic Score: Earle Brown Trailer Completo

  • *The voice of Lir (Henry Cowell, 1920)

    *The voice of Lir (Henry Cowell, 1920)

    The voice of Lir with procesed voice of Henry Cowell itself explaining this work. Also led mapping synced with audio. Live performance in Fundació Caixa Castelló (SPAIN). February 2020 Piano & Electronics: José Luis Miralles Music: Henry Cowell

  • *Bujaraloz by night (Carles Santos)

    *Bujaraloz by night (Carles Santos)

    Carles Santos, iconic musician of my land creates this beautifull music. I experiment with the piece with a Line 6 hxstomp, an Eventide H9max and a wave Genki Instruments for controlling the algorithms’ parameters with movement in real time following the path (and pace) of the music Illustrations were commissioned to Lluna Llunera. The delicate […]

  • *Pari Intervallo (Arvo Pärt, 1980)

    *Pari Intervallo (Arvo Pärt, 1980)

    Piano & synthesizer (Microfreak). This is what happens when you merge Arvo Pärt with an LFO & Cutoff for pedal notes. Also red led lights inside the piano come to the party… Live performance in Fundació Caixa Castelló (SPAIN). February 2020 Piano & Electronics: José Luis Miralles Music: Arvo Pärt

  • *Cygnet & Houseboat (Bitklavier)

    *Cygnet & Houseboat (Bitklavier)

    00:00 Cygnet (score: Nate May) 02:38 Houseboat (score: Van Stiefel) Performed by José Luis Miralles Bono (https://beyondthepiano.jlmirall.es) Live images: Lluna Llunera (https://www.facebook.com/llunalluneraillustrations/) This music uses Bitklavier, a digitally prepared piano (https://bitklavier.com) in combination with an Eventide H9 effect pedal. INFO ABOUT CREATIVE PROCES: https://beyondthepiano.jlmirall.es/2019/07/30/cygnet-houseboat-bitklavier/

  • *Regard Du Pére, Vingt Regards (Olivier Messiaen, 1945)

    *Regard Du Pére, Vingt Regards (Olivier Messiaen, 1945)

    Music: Regard Du Pére (Vingt Regards) Olivier Messiaen Piano: José Luis Miralles Fx: – Seaboard Rise (Roli) – Arturia Beatstep – Eventide H9 Max – Boss Rc-300

  • *Musica Ricercata II (Ligeti, 1953)

    *Musica Ricercata II (Ligeti, 1953)

    Music: Musica Ricercata II. György Ligeti Piano: José Luis Miralles Fx: – Seaboard Rise (Roli) – Arturia Beatstep – Eventide H9 Max – Boss Rc-300

  • *Rain Death Variations, Makrokosmos (George Crumb, 1973)

    *Rain Death Variations, Makrokosmos (George Crumb, 1973)

    Music: Rain Death Variations (Makrokosmos) George Crumb Piano: José Luis Miralles Fx: – Seaboard Rise (Roli) – Arturia Beatstep – Eventide H9 Max – Boss Rc-300

  • *Dream-Images, Makrokosmos (George Crumb, 1972)

    *Dream-Images, Makrokosmos (George Crumb, 1972)

    Music: Dream-Images (Makrokosmos). George Crumb Piano: José Luis Miralles Fx: – Seaboard Rise (Roli) – Arturia Beatstep – Eventide H9 Max – Boss Rc-300

  • *China Gates (John Adams, 1977)

    *China Gates (John Adams, 1977)

    China Gates: John Adams. Piano: José Luis Miralles Bono Adams was inspired to write the piano piece during a rainy season near his home in northern California. En mis interpretaciones añado una capa de sonidos de lluvia y tormentas, y también se incorpora una iluminación reactiva con tiras de led.

  • *In the Name of the Holocaust (John Cage, 1942)

    *In the Name of the Holocaust (John Cage, 1942)

    Music: In the name of the Holocaust (John Cage) – Prepared Piano MIXED WITH Granular Synthesis (iDensity iOs App + Arturia Beatstep) Lettering: Lluna Llunera In the name of the Holocaust has multiple lectures. II World War, and a quote from James Joyce’s Finnegans Wake.