{"id":1909,"date":"2024-02-13T18:49:36","date_gmt":"2024-02-13T17:49:36","guid":{"rendered":"https:\/\/jlmirall.es\/?p=1909"},"modified":"2024-02-16T15:31:06","modified_gmt":"2024-02-16T14:31:06","slug":"china-gates-john-adams-1977","status":"publish","type":"post","link":"https:\/\/jlmirall.es\/?p=1909","title":{"rendered":"*China Gates (John Adams, 1977)"},"content":{"rendered":"\n<p>China Gates: John Adams. <\/p>\n\n\n\n<p>Piano: Jos\u00e9 Luis Miralles Bono <\/p>\n\n\n\n<p>Adams was inspired to write the piano piece during a rainy season near his home in northern California.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>En mis interpretaciones a\u00f1ado una capa de sonidos de lluvia y tormentas, y tambi\u00e9n se incorpora una iluminaci\u00f3n reactiva con tiras de led.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; 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font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\">View this post on Instagram<\/div><\/div><div style=\"padding: 12.5% 0;\"><\/div> <div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"><div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div> <div style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div><\/div><div style=\"margin-left: 8px;\"> <div style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div> <div style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"><\/div><\/div><div style=\"margin-left: auto;\"> <div style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div> <div style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div> <div style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div><\/div><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div><\/div><\/a><p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"><a href=\"https:\/\/www.instagram.com\/p\/B7jma8ioahr\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\">A post shared by Jos\u00e9 Luis Miralles Bono (@jlmiralles)<\/a><\/p><\/div><\/blockquote><script async src=\"\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>China Gates: John Adams. Piano: Jos\u00e9 Luis Miralles Bono Adams was inspired to write the piano piece during a rainy season near his home in northern California. En mis interpretaciones a\u00f1ado una capa de sonidos de lluvia y tormentas, y tambi\u00e9n se incorpora una iluminaci\u00f3n reactiva con tiras de led.<\/p>\n","protected":false},"author":1,"featured_media":2370,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[57],"tags":[68,74,75],"class_list":["post-1909","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musica","tag-beyond-the-piano","tag-re-interpretacion","tag-videocreacion"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/jlmirall.es\/wp-content\/uploads\/2024\/02\/IMG_0390-scaled.jpg?fit=2560%2C1707&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p2FSry-uN","jetpack-related-posts":[{"id":1907,"url":"https:\/\/jlmirall.es\/?p=1907","url_meta":{"origin":1909,"position":0},"title":"*In the Name of the Holocaust (John Cage, 1942)","author":"Oysiao","date":"13 febrero, 2024","format":false,"excerpt":"Music: In the name of the Holocaust (John Cage) - Prepared Piano MIXED WITH Granular Synthesis (iDensity iOs App + Arturia Beatstep) Lettering: Lluna Llunera In the name of the Holocaust has multiple lectures. II World War, and a quote from James Joyce's Finnegans Wake. https:\/\/youtu.be\/kXCxeDUWf3A","rel":"","context":"En \u00abm\u00fasica\u00bb","block_context":{"text":"m\u00fasica","link":"https:\/\/jlmirall.es\/?cat=57"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jlmirall.es\/wp-content\/uploads\/2024\/02\/Captura-de-pantalla-2024-02-16-a-les-15.14.25-scaled.jpg?fit=1200%2C672&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jlmirall.es\/wp-content\/uploads\/2024\/02\/Captura-de-pantalla-2024-02-16-a-les-15.14.25-scaled.jpg?fit=1200%2C672&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/jlmirall.es\/wp-content\/uploads\/2024\/02\/Captura-de-pantalla-2024-02-16-a-les-15.14.25-scaled.jpg?fit=1200%2C672&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/jlmirall.es\/wp-content\/uploads\/2024\/02\/Captura-de-pantalla-2024-02-16-a-les-15.14.25-scaled.jpg?fit=1200%2C672&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/jlmirall.es\/wp-content\/uploads\/2024\/02\/Captura-de-pantalla-2024-02-16-a-les-15.14.25-scaled.jpg?fit=1200%2C672&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1989,"url":"https:\/\/jlmirall.es\/?p=1989","url_meta":{"origin":1909,"position":1},"title":"*Al voltant d&#8217;un piano (Amadeu Mar\u00edn, 2023)","author":"Oysiao","date":"14 febrero, 2024","format":false,"excerpt":"AL VOLTANT D'UN PIANO es un pretexto de improvisaci\u00f3n dise\u00f1ado por Amadeu Marin para la sesi\u00f3n del 19 de abril de 2023 del ciclo FREE IMPRO AL MUSEUM. Traemos el piano a la vanguardia para dar un paso atr\u00e1s, mirarlo con nuevos ojos y liberarlo de su rol utilitario al\u2026","rel":"","context":"En \u00abm\u00fasica\u00bb","block_context":{"text":"m\u00fasica","link":"https:\/\/jlmirall.es\/?cat=57"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jlmirall.es\/wp-content\/uploads\/2024\/02\/Captura-de-pantalla-2024-02-17-a-les-21.55.48-scaled.jpg?fit=1200%2C572&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jlmirall.es\/wp-content\/uploads\/2024\/02\/Captura-de-pantalla-2024-02-17-a-les-21.55.48-scaled.jpg?fit=1200%2C572&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/jlmirall.es\/wp-content\/uploads\/2024\/02\/Captura-de-pantalla-2024-02-17-a-les-21.55.48-scaled.jpg?fit=1200%2C572&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/jlmirall.es\/wp-content\/uploads\/2024\/02\/Captura-de-pantalla-2024-02-17-a-les-21.55.48-scaled.jpg?fit=1200%2C572&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/jlmirall.es\/wp-content\/uploads\/2024\/02\/Captura-de-pantalla-2024-02-17-a-les-21.55.48-scaled.jpg?fit=1200%2C572&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1952,"url":"https:\/\/jlmirall.es\/?p=1952","url_meta":{"origin":1909,"position":2},"title":"*LA RE MI LA (2020)","author":"Oysiao","date":"14 febrero, 2024","format":false,"excerpt":"Premio Cultura Online #CMCVaCasa 2023. 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La programaci\u00f3n de los filtros, y re-interpretaci\u00f3n al piano: Jos\u00e9 Luis Miralles\u2026","rel":"","context":"En \u00abm\u00fasica\u00bb","block_context":{"text":"m\u00fasica","link":"https:\/\/jlmirall.es\/?cat=57"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jlmirall.es\/wp-content\/uploads\/2024\/02\/maxresdefault.jpg?fit=1200%2C675&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jlmirall.es\/wp-content\/uploads\/2024\/02\/maxresdefault.jpg?fit=1200%2C675&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/jlmirall.es\/wp-content\/uploads\/2024\/02\/maxresdefault.jpg?fit=1200%2C675&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/jlmirall.es\/wp-content\/uploads\/2024\/02\/maxresdefault.jpg?fit=1200%2C675&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/jlmirall.es\/wp-content\/uploads\/2024\/02\/maxresdefault.jpg?fit=1200%2C675&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1958,"url":"https:\/\/jlmirall.es\/?p=1958","url_meta":{"origin":1909,"position":3},"title":".N20v2 Nancarrow -piano- (2021)","author":"Oysiao","date":"14 febrero, 2024","format":false,"excerpt":"Como peque\u00f1o homenaje a Conlon Nancarrow he \u201ctranscrito\u201d nota a nota la partitura de su estudio para pianola n\u00ba20, creando una regla visual para medir las distancias de su notaci\u00f3n espacial. 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Castell\u00f3n Piano (extended techniques), loop station and Seaboard RISE. https:\/\/youtu.be\/lJAt7-zRF9k?si=rM7c6C3dRjY6dr19 Fotogramas: Carmen Campos","rel":"","context":"En \u00abm\u00fasica\u00bb","block_context":{"text":"m\u00fasica","link":"https:\/\/jlmirall.es\/?cat=57"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/jlmirall.es\/wp-content\/uploads\/2024\/02\/Captura-de-pantalla-2024-02-16-a-les-14.39.40.png?fit=1200%2C668&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/jlmirall.es\/wp-content\/uploads\/2024\/02\/Captura-de-pantalla-2024-02-16-a-les-14.39.40.png?fit=1200%2C668&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/jlmirall.es\/wp-content\/uploads\/2024\/02\/Captura-de-pantalla-2024-02-16-a-les-14.39.40.png?fit=1200%2C668&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/jlmirall.es\/wp-content\/uploads\/2024\/02\/Captura-de-pantalla-2024-02-16-a-les-14.39.40.png?fit=1200%2C668&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/jlmirall.es\/wp-content\/uploads\/2024\/02\/Captura-de-pantalla-2024-02-16-a-les-14.39.40.png?fit=1200%2C668&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":1839,"url":"https:\/\/jlmirall.es\/?p=1839","url_meta":{"origin":1909,"position":5},"title":"*hommage i: Bach-Kurtag (2013)","author":"Oysiao","date":"13 febrero, 2024","format":false,"excerpt":"Esta pieza fue estrenada el d\u00eda 11 de Febrero de 2013 en el Conservatorio Profesional de M\u00fasica \u201cMestre T\u00e0rrega\u201d de Castell\u00f3n dentro del concierto \u201cMiniaturas Eternas\u201d. En dicho concierto, el alumnado de piano de los profesores Natalia Bort y Jos\u00e9 Luis Miralles interpretaron obras de J.S. Bach y G. 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